Sinclair Lewis’s novel offers no solutions to current social ills, nor does fiction serve such ends well. Fiction may, on the other hand, meditate on the romantic and the realistic to reveal insight into individual minds seeking out the world to find the best way to live in it.
A life is divided into three parts: the time before you’re able to work, the time after you’re able to work, and the monstrous bulk of time between. After obedience to the law and some basic moral code, work is one of the great demands placed upon the able.
Over the last few decades, it has become more and more common to find mythical narratives such as fairy tales alongside realist fiction in academic and mainstream literary journals and magazines. More publications have also opened up to stories that blend storytelling elements that previously were dismissed as “genre”
Recently, on social media, Gigantic magazine editor Lincoln Michel questioned the label of “realism.” I write “realism,” and I’m branching into other genres, so I introduced myself and asked a few more questions. Our conversation, conducted over e-mail, spanned several days, topics, and (starting today) will also span two blog entries