Renata Adler and Elizabeth Hardwick’s novels mine their author’s experience in order to present a kind of fictional truth that is separate from the mere external facts of their lives, even as they borrow and reincorporate some of those facts.
A part of me believed that the amount of books I read revealed whether I had a good year, whether I’d done more than I expected or had failed to keep up.
As an undergrad studying creative writing one of the first things I remember learning was the sin of gimmickry. Readers, I was taught, would see through your cleverness—it would be vile to them and they would hate you. But as a kid and teenager my favorite books employed some
In our Writing Lessons series, writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Graham Oliver, who recently attended the Aspen Summer Words Writing Retreat 2013. You can follow Graham @grahammoliver. —Andrew Ladd, Blog Editor Our classroom was outside,