Roxane Gay Archive
The myth of Rosie the Riveter is as well-known as her bandana-clad hair and stoic flexing. As a way to supplement male industrial labor resources depleted by World War II, Rosie represented the potential for women economically left behind since the Great Depression to gain financial power over their
Who says a good beach read can’t also be a book that packs some punch? Here are four of this summer’s best.
My creative writing students want to talk about the business of literature. They want to talk cover letters, agents, MFA programs, fellowships.
On Twitter, people keep saying this “isn’t normal.” In this story, the villain is an exception to the rule of normalcy. Maybe, I thought, that story is easier to tell than the real one.
From Roxane Gay pulling her book from Simon & Schuster to a list of NEA funded projects, here's the latest literary news.
1. I didn’t start writing lyric essays until I found out I had cancer. The melanoma buried in my right cheek was at first missed, and then misdiagnosed in its severity. Clark’s stage IV, they told me. Likely in my lymph nodes, but they wouldn’t know until my third
From a film adaptation of Roxane Gay’s An Untamed State to robots writing fiction, here’s a look at this week’s literary news: Author, essayist, and editor Roxane Gay can now add another title to her list of credentials: screenwriter. It was announced last week that Gay’s novel An Untamed
Writer Catherine Nichols’ recent experiment, in which she submitted a manuscript to agents under a male pseudonym and received eight-and-a-half times the number of responses that the same manuscript received under her real name, confirms a gender bias in publishing that desperately needs addressing. Nichols is not without precedent in
In a surprising move, And Other Stories, an independent publisher in the United Kingdom, decided last week to take up novelist Kamila Shamsie’s call for publishers to take a stand against gender bias by publishing only women in 2018. Publisher Stefan Tobler said that he and his colleagues had realized
Mary Biddinger’s poems are poignant, playful, a little mysterious, in love with language, and full of surprising connections: between music and meaning, between memory and imagination, between nostalgia and a yearning for what’s next. I’ve read and admired her poems since we were in the same undergraduate workshops at