When Beyoncé dropped her masterpiece Lemonade last year, the world was abuzz. In her groundbreaking visual album, images of black femaleness manifest as not only sexually pleasing to imagine, but empowering to behold.
Lately, I have been thinking a lot about interrogating gender in poetry, and I’m especially interested in the work of three trans poets that use a wild arsenal of strategies to unsettle notions of gender and sexuality.
The games children play can tell us a lot about ourselves as human beings, regardless of whether we attribute the inspiration behind them more to nature or nurture. In “Fiddlebacks” (New South), Kimberly King Parsons makes good use of the games played by three siblings, exploring what they reveal