short stories Archive
Ten years ago Random House published a wonderful anthology of food writing, Secret Ingredients: The New Yorker Book of Food and Drink. All essays, articles, and fiction featured in the book had earlier appeared in The New Yorker. I bought the book a couple of years after its publication
Most of the stories in The Widow’s Guide to Edible Mushrooms, Chauna Craig’s debut collection, are set in the American West, centered on characters who often identify closely with their geography ... And while Craig convincingly portrays a range of characters, her work is particularly striking when she writes
I can’t resist impossibilities in fiction. Of course, a story’s fabulism is no guarantee I’m going to love that story in the end—but if a first line promises me a new world, I’m going to keep reading.
We have made it to 2017 with little protest (to the passing of last year, that is) and a whole lot of wonder about what to think of the previous twelve months. With an array of emotion fluttering over the land like strong winds, the confusion and misunderstanding and,
In 1983, Raymond Carver included “The Train” in his collection Cathedral; he dedicated the story to John Cheever. and from the first words of the story, where one of the characters from a Cheever story is named, we see that Carver’s story will be responding to Cheever’s classic tale.
Munro has spoken about her debt to American writers from the South, including O’Connor, and we can clearly see how “Save the Reaper” is responding to O’Connor’s story by touching on similar themes and even moments, and yet spinning off from the original in true Munro fashion.
Some of the most effective short stories are by songwriters. The constraints and conventions of a five-minute pop song can structure a narrative in ways that, even before you get to the music, are incredibly moving.
Much like our lives, short stories are brief and end abruptly. They summon entire worlds in just a few pages and then bow out, with startling precision and compression. It is a delicate balance, and such delicate work requires small hands.
From childhood, we’re taught to see ourselves as others see us. We learn to synthesize “Head, shoulders, knees and toes” into a whole through a complex process of self-identification. We see who and what we’re taught to see, a looping phenomena that means we’re literally made up of story.
The shorts are wide-ranging. Some are heartbreaking in less than 500 words; others are unexpectedly hilarious whether outright or with a darker flavor to their humor. Disorders is a contemporary stable of parables not only about fathers and sons, but about the everyday struggle to live one’s life in