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Tag Archives: short story
So it’s almost Halloween. Which means jack o’ lanterns and costumes and pumpkin-spiced everything. And, of course, Edgar Allan Poe, reigning king of high-school-English-textbook darkness. Cask of Amontillado, anyone?
As far as literary journal subscriptions go, I only maintain three. I’m one of those writers, and for my sins I mostly miss the great early pieces of writers I come to love years later. This is especially true of … Continue reading
I knew I was into Benjamin Reed’s story “Come to Bratislava!” in Big Fiction when the main character, a forty-three year old man named Edgar, makes an observation about the phrase “You are my rock.” I’ve never liked this way … Continue reading
I’ve recently become friends with a new handful of people, and out of this group, one woman in particular. Then, over the last weekend, I got to see some old friends from grad school, and in talking about our lives … Continue reading
The Best Story I Read in a Lit Mag This Week: “Creative Writing Instructor Evaluation Form” by April Wilder
Last week I came into the office where I work, sat down, ate an enormous bagel, and laughed so hard that the guy sitting behind me wheeled his chair over to my desk and said, “What’s so funny?” I pointed … Continue reading
In Issue 34 of Passages North, Karin C. Davidson introduces us to Tulsa, in her story “We Are Here Because of a Horse,” by writing that “Tulsa by night shines like a shattered gold watch.” I’ve arrived in Tulsa much the … Continue reading
For the past year or so, I’ve contemplated the ways that writing is like many other everyday tasks we undertake. In that time, I’ve reached for some unlikely comparisons. (See baseball, cooking, going on vacation.) As the year comes to … Continue reading
When I was a kid, I really wanted to be a dancer. Instead, I played softball and soccer—but that fascination with dance never really went away. So last week, when I found “Dream Scene” by Renée K. Nicholson in Issue 5 … Continue reading
The Best Story I Read in a Lit Mag This Week: “The Man Who Couldn’t Give It Away” by Scott Bradfield
When I used to teach intro fiction classes, I noticed that students often turned in stories that featured omniscient third-person narrators, and I can remember doing this when I started writing fiction, too. There’s something very alluring, especially when you … Continue reading