Reading nature writing is second in transformative joy only to being in nature. That joy is slippery in Trace: Memory, History, Race, and the American Landscape by Lauret Edith Savoy, where moments of sublimity are often punctuated by cruelty and alienation.
The lesson I look forward to most in the creative writing for new media class I teach at the University of Iowa involves me giving an unconventional lecture as a series of texts (complete with abbreviations, typos, and emoticons) projected on an overhead while I forbid speaking of any