Do-Overs: Worth doing?

bridge-452568_960_720It isn’t cool to like archetypes anymore. Utter a name like Carl Jung or Joseph Campbell out loud at your MFA program and you’re likely to get a healthy dose of side-eye. Or, a knowing look that says oh, cute. I remember when I thought it was that simple, too.

It’s not that simple, but I would contend that archetype is still worth mentioning. Like it or not, we live lives dictated by the simplest of structures: birth, coming of age, connection with other humans, expression of faith in principles, procreation, and death. Life is, itself, organized into a basic narrative pattern. We are driven by common impulses ranging from healthy to destructive. We fear the other, the beast hiding in the dark, the loss of our station in life or the loss of our loved ones. It makes sense, then, that stories, which Didion so famously said we “tell ourselves in order to live,” appear in repetitive patterns. But as in life, there’s as much interesting storytelling in the rejection of structures—or the departure from the historic, the patrimonial, the exclusionary, or that which we think we can assume—as there is when we follow the pattern.

The problem—and why I think archetype gets such a big groan—is when we can’t let the pattern evolve.Continue Reading

Chucking “Art for Art’s Sake” – Writers and Social Impact

will write for social changeOne morning in late September, I found myself backstage at the “Annual Day of Peace” in Covington, KY—an event that kicks off October as Domestic Violence Awareness Month. I’d been asked to perform a song I wrote about my family’s history of domestic violence, and was listening as speakers urged the young audience to find—and use—their voices to prevent violence. I wondered how many listeners were writers, performers, artists, and how many might go on to use their art as voice, changing their communities in the process.

audrelordeLeaving that day and re-entering the media binge on the word “shutdown,” I couldn’t help thinking about writers around the globe: how we use our voices; whether (and how) we’re heard. I also couldn’t help thinking of Audre Lorde:

We lose our history so easily, what is not predigested for us by the New York Times, or the Amsterdam News, or Time magazine. Maybe because we do not listen to our poets…

Creative writing has the potential to change perceptions, elevate public discourse, inform, protest, and/or bring awareness to difficult issues and situations. Could we do more with this potential? Should we?

is this gonna get political

(No.)

Before anyone gets politi-scared, hark! I don’t believe writers should start “politicizing” all our work, or Woodie-Guthrie-ing our poems for the greater good. But I do believe that if we’re moved by any current economic, cultural, political, and/or social suffering, there’s a place for us—and our craft—in the fray.

But how? Where? If you’re interested in finding your writerly place in this kind of work, here are three steps even non-“activist” writers can take to dive in:

  1. Identify Our Stories
  2. Re-imagine “Going Public,” and
  3. Chuck “Art for Art’s Sake.”

Continue Reading