Tasha Golden Archive
In our Roundups segment, we’re looking back at all the great posts since the blog started in 2009. We explore posts from our archives as well as other top literary magazines and websites, centered on a certain theme to help you jump-start your week. The end of the year is a season of
What do you wish your MFA program had taught you? How is the literary world—and media in general—changing? How should we change with it? These are the questions that motivate Stephanie Vanderslice‘s work as a writer, professor, and HuffPost blogger. I heard Vanderslice speak at the International Great Writing Conference this June, where she
Hey Poets. I was in LA last month for music work, and I think I found something you dropped: The public. So—Maybe you weren’t sure when you lost it, but you seem pretty certain music stole it. Or film perhaps? Or YouTube cats? Meanwhile, poetry’s stayed alive. It’s been breeding
Okay. So you know that microphones are devices you put near your mouth to make your voice louder. Beyond that, there be dragons. So let’s bust through seven common mic Q’s. Then sail on, writers! #1. Won’t using a mic make me seem stiff and formal? If I hear another author
If you’re a writer, you’ve likely subjected yourself to awkward, lifeless Readings enough times to wonder whether there’s still a purpose for these mysterious liturgies. We probably don’t need an old time tent revival (I hope not!)… But asking, “what’s the point?” may be long overdue. What I mean is: perhaps who/whatever began
In my previous post, I discussed the crying shame that is the Public Reading. You commented, shared, and agreed. You asked how to feel more confident, use a microphone, give more creative readings, etc. I’ll tackle all of these over coming weeks – starting, today, with confidence. HAVE SOME COMPASSION.