Writers, like all artists, experience things twice—once in the moment, and again when attempting to draw out the details of what has happened to bring a work to life. In the digital age, however, many experiences have been stripped of vibrancy.
The brilliance of Neuromancer and what won it every literary award available—the Nebula, the Philip K. Dick and the Hugo—is its breakneck storytelling, which combines high technology, a classic tale of corporate greed, war, revenge, and politics with some dazzling writing.
It could be argued that The Circle, Dave Eggers’ 2013 techno-satire of an all-powerful Faceboogle-type company, goes after some easy targets. After all, it’s common to bemoan the exhaustingly hyperconnected state of a society dependent on social media.
In the age of the Internet, fiction writing is changing yet again. As readers and writers, should we fear the use of technology in books? History says “no.”
The internet is a compost heap full of old websites and technology and expired pop culture leftovers. Every once in a while, some enterprising artist grabs his or her pitchfork and turns the heap to reach the richest, oldest, most decomposed material. That fertilizes new growth. Vaporwave, a new
If you were on Twitter at all on March 4th, you were probably mildly (if not completely) aware of the public nightmare that was the HBO Access Writing Fellowship application. Full disclosure: I didn’t apply although I know many writers who did. And for those not familiar with the fellowship, it is
Where and when do you make time to read? If your answer is “at Chipotle,” then you can leave now. This article isn’t for you. You should also just move along if your answer is “beside a crackling fire in my study.” I don’t know who you are. Why
One of the best parts of being a book editor is that it gives you a magic power. You take a Microsoft Word file, wave your hand over it and say, “Now it’s a book.” And it’s a book. Up until that moment, it’s just words and ideas, and