Theresa Hak Kyung Cha’s 1982 book confounds expectations at every turn. Specifically, there’s something monumental about the text’s extreme lack of metaphor, its striving toward objective observation, that feels to me—in this moment—absolutely poetic.
The Literary Boroughs series will explore little-known and well-known literary communities across the country and world and show that while literary culture can exist online without regard to geographic location, it also continues to thrive locally. Posts are by no means exhaustive and we encourage our readers to contribute in the comment section. The