trauma Archive

Netflix’s ANNE Bridges the Divide Between Us and Our Childhood Dreams

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The ways in which Anne, the mercurial, earnest girl at the center of the story lived, learned, grew, and blundered her way through life resonated with me, a perennial outsider and dreamer, wounded by things that, like Anne’s cruel treatment at the hands of the Hammonds and the orphanage

Narrative and Anti-Narrative in the Poetry of Sexual Assault

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In the brief back-cover description of Lauren Berry’s The Lifting Dress, we read: “Set in a feverish swamp town in Florida, The Lifting Dress enters the life of a teenage girl the day after she has been raped.”

Baltimore School Students Write in Protest and Celebration

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Writers in Baltimore Schools, the creative writing organization I run for Baltimore youth, has developed a protocol for mobilizing safe spaces for writing after trauma. We were unfortunately ready when Donald Trump was elected the 45th President of the United States. On Thursday, fifteen of us gathered to write

Writing Trauma: Notes of Transcendence, #5—The Objective Correlative

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Caldwell’s memoir is a deep exploration into how human and human-animal connections can heal us from traumatic experiences.

Writing Trauma: Notes of Transcendence, #3—Finding Light in Darkness

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Perhaps I’d brought Heart of Darkness to court with me not as reading material but as a talisman, as a symbol of what I believe literature has the power to do.

Reconstruction: How the Lyric Essay Rendered One Body After Trauma

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1. I didn’t start writing lyric essays until I found out I had cancer. The melanoma buried in my right cheek was at first missed, and then misdiagnosed in its severity. Clark’s stage IV, they told me. Likely in my lymph nodes, but they wouldn’t know until my third

On and Of the Page: The Life–Art Collapse

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A few years ago at a conference, I read a section from my long poem “Sublimation” in which the speaker describes a miscarriage that, in its vicious pain and effusions, wakes her up in the middle of the night. After the reading, as I was mingling my way toward

Mirrored Crisis: Post-Trauma Diaspora Memory through Jonathan Safran Foer’s EVERYTHING IS ILLUMINATED

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The aftermath of war and displacement is often a diaspora, the literal scattering of a group’s seeds far from the tree of origins. However to call that wrenching of branches, as was discussed in Part I of this series (Mirrored Crisis: What Jeffrey Eugenides’s Middlesex can show us about today’s