Wide Sargasso Sea Archive
If that reality was so vital to Nabokov, if its silenced heart is what makes the novel so haunting, then there is space, surely, surely, for the real, breathing girl to speak properly.
This is the third in a series of posts entitled Conversations Between TV and Literature. In each entry, I will explore literary allusions on specific television shows and the resulting intertextuality between the two works.
When we go to inspect female-presenting writers, the canon is too familiar: Emily Dickinson, Charlotte Bronte, Jane Austen. There’s no purpose in arguing this. What’s more interesting is uncovering forgotten women writers—women who wrote poetry with T.S. Eliot and Ezra Pound in life, or produced movies with Alfred Hitchcock.
In this second installment of the Literary Blueprints series, we’ll look at the Mad Woman. Don’t forget to read the first Blueprint, The Byronic Hero. Origin Story: Also referred to as “The Mad Woman in the Attic,” this character type hails from the dark side of Jane Eyre. Bertha