Many writers have explored the pleasures of walking, including the likes of Virginia Woolf and Amy Hempel. There is a whole canon that depicts and analyzes the connection between moving through geographical terrains and mental ones.
It’s hard not to notice the word girl writ large on book covers and film posters everywhere. It’s also tough to ignore the flurry of opinions on whether titular appropriation of the word is sexist and offensive or just smart marketing. Turns out the word is surprisingly flexible.
From childhood, we’re taught to see ourselves as others see us. We learn to synthesize “Head, shoulders, knees and toes” into a whole through a complex process of self-identification. We see who and what we’re taught to see, a looping phenomena that means we’re literally made up of story.
Raymond Carver’s “What We Talk About When We Talk About Love,” is the classic titular story in his collection published in 1981. The original story, entitled “Beginners
,” was famously edited by Gordon Lish, and it is longer, containing more hope and introspection.
It’s a comet, no it’s a planet, no it’s not a planet, yes it is. What is it about Pluto that so draws us to it? Is it that Pluto is so far away? Or is it just that we always pull for the underdog? Over the past few
This is the fourth installment of a year-long journey through Thomas Jefferson’s Notes on the State of Virginia. You can read previous installments here, here and here. ** Query VI: “Productions mineral, vegetable and animal” A notice of the mines and other subterraneous riches; its trees, plants, fruits, &c.
This month, I chat with author Chris McCormick, whose terrific debut of linked stories, Desert Boys, follows main character Daley “Kush” Kushner and his friends Robert Karinger and Dan Watts. The book is largely set in the growing desert suburbia of the Antelope Valley, 70-odd miles north of Los
I spent a large part of last spring working in coffee shops all around the Finger Lakes region with a group of writers. One of them had published several novels; another had just signed with an agent and was making revisions to her novel-in-progress; the others were working on
We were discussing the character of teenage girl in a fantasy novel. “I like that the girl is not what you expect,” said one writer, “You expect girls to be sweet and innocent, but she’s strong and takes action,” he said. Huh, I thought. Do we expect girls to
There’s something happening with the personal in writing, and Jason Guriel’s highly circulated Walrus essay “I Don’t Care About Your Life” wants to warn us about it. “I Don’t Care About Your Life” isn’t as polemical as it sounds. For one, its title doesn’t so much reveal Guriel’s hand,