Author Archive
Jana Prikryl, From the Fields of a Calendar
The poems that imagine photographs, the making and distribution of images to one or many friends, to strangers, revisit a figurative injection posed in Jana Prikryl’s first collection: a poem is not functional, a poem is something to be experienced in time.
Philomath and Lyric Knowledge
Do the people of Devon Walker-Figueroa’s 2020 collection love to learn? Do we watch them learn in change while reading this book, and do we, in the process of reading these poems, learn anything?
Oppen on the Unfinished Voyage
Facing George Oppen’s “shipwreck of the singular” positions one to reconsider a problem with the act of naming, of not remaining silent: to name our own singularity ignores the material of the wreck, the end of one’s own life equivalent to the end of the world.
A Poem for Children
The poet of Dan Chiasson’s poems is a father and a son, often both at the same time. The poet of Dan Chiasson’s poems, since his first collection was published in 2002, reveals more about himself, his being a father and a son, through the way his poems are
An End, Always Happening
In the hyperbole of “apocalypse,” in the rhetorical design that anticipates a time predicted forever, a poem that meditates on the end of the world situates itself somewhere between prophecy and historical memory. An end has been ongoing—and changing—since the first mention of the end.
Considering the Wedding Poem
One does not take notes from the epithalamium for instructions on how to arrange a wedding, how to make a marriage successful, how to communicate with a loved one. The wedding poem anticipates its continued listening, sometime in the future.
The Garbage of Our Time
A. R. Ammons's 1993 book-length poem, a meditation on excess and waste as the defining trait of our species, anticipated the worst conversations one wishes were avoidable: climate change and a non-hyperbolic global destruction.
The Anxiety of Middle-Age in Welcome to Sonnetville, New Jersey
Craig Morgan Teicher’s newest collection is preoccupied with the anxiety of being understood, and the way that desperation pulses underneath what is explicitly spoken.
Poetry of Data, Poetry of Experience
“Truth in poetry” depends not on the record of information but on experience: a life represented in metaphor, the patterns of language that make a time-signature through which we listen.
Tradition in The Complete Stories
Noah Warren’s new poetry collection opens with “Preface to the Second Edition.” What’s been excluded from this edition—words that may have been included in the imagined first edition—and what’s been included to shape a different experience of encountering these words in this specific order: it’s all impossible knowledge.
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