Author Archive
The Monolithic, Unforgiving Group Narrator
“A Rose for Emily,” by William Faulkner, and “The Little Widow from the Capital,” by Yohanca Delgado, both feature the first-person-plural point of view. In both stories, the group narrator is insular, one-directional, one-dimensional, monolithic, and unforgiving in judging a woman.
The Imagery of the Vernacular in Salvage the Bones
Jesmyn Ward connects her Black characters to climate change, present in the shape of Hurricane Katrina, by using the sound of the storm to explore their lived experience. It is the oral tradition alive on the page.