Sherman Alexie, arguably the most recognized Native writer, has brought both visibility to his hometown and the home of his ancestry. Born in Spokane, Washington to a member of the Coeur d’Alene tribe, Alexie weaves decidedly non-universal narratives, choosing instead to celebrate the specificity of his people in Spokane
Loosely based on Anderson’s hometown Clyde, Ohio, Winesburg, Ohio contains twenty-two stories that reference each other―all highlighting specific characters who are bound by their shared feelings of loneliness. This cyclical, self-aware form of storytelling situates Winesburg as an early work of Modernist literature.
There is no conversation on literary regionalism without Faulkner’s Yoknapatawpha. The Mississippi-born author’s loyalty to his imagined landscape is perhaps what he is most known for.
For August Wilson, his hometown of Pittsburgh was the setting for nine of his ten plays; his complete oeuvre thus earning the moniker “The Pittsburgh Cycle.” Each play is set in a different decade, allowing Wilson to examine the black experience across different times, but in the same place.
If New Jersey is oftentimes known for being perpetually overshadowed by its neighbor New York, then William Carlos Williams’s epic five volume poem entitled “Paterson” certainly helped put it on the map.
Woman Hollering Creek and Other Stories asks us to imagine literary regionalism as more than just literature set in a single place, but as fiction’s ability to funnel different places and the experiences they birth into one environment.
Divided into chapters focusing on various elements of the home, The Decoration of Houses illustrates that Wharton’s design of New York in her literature worked from the inside out, proving that a woman could appreciate both the interior beauty of a space, while living life freely beyond the walls
Truman Capote often returned to New Orleans, his hometown. In his 1950 book of essays entitled Local Color, Capote writes detailed observations of the cities he visits, the first among them his Louisiana home.
Joan Didion's 1979 book of essays The White Album is not only a road trip through the gridded streets and indecisive canyons of Los Angeles County, but also a meditation on Southern California as a setting for self-discovery.
Edward P. Jones does not represent the Washington D.C. of the mainstream—no national monuments perforating his setting, no overt commentary on policy, no presidential-brand elitism lacing his words. Instead, he simply writes the life of the local everyman and pushes anything beyond that into the background, making excess as