While Addonia’s new novel gives us innumerable examples of what is missing from the lives of his characters, living in a refugee camp after their country is swept into war, each is combatted with a bout of illusion, a tactic to conquer the absences and to enliven what remains:
Salesses has written a novel of doppelgängers that begins forging its own double, attempting to confront the vast problems of racial inequality both in its plot and in its meta-structure, asking if there might be a parallel world for our own, one where these injustices could be corrected—or if
Landragin’s new book can be read in paginated order, moving through each of the three books within in turn, or it can be read in the “Baroness Sequence,” which leads the reader through all three books simultaneously, following notes within page footers à la the Choose Your Own Adventure
Scanlan’s new collection challenges literary norms, making a story do more than perhaps we previously thought possible.
From four perspectives, Washburn’s new novel tells the story of a family slipping apart, colliding with the rest of the world, hoping for the fulfillment of their hopes and dreams.
Deb Olin Unferth’s latest foray into the socio-political, an action-adventure novel with touches of humor, is built around an anti-big-ag upheaval though rooted in the fragile relationships we cling to in a chaotic, inspiring, and often difficult world.
Yu is a master at mixing the artful, the humorous, and the meaningful atop new landscapes, and his new novel, the first to delve into conversations around race and ethnicity, is no exception.
Norman Lock (illustrations by Sasha Meret) Spuyten Duyvil Press, April 2011 166 pages $16.00 On the surface, Norman Lock’s recent book, Pieces for Small Orchestra, is a collection of two novellas and two stories. Really, it’s a book of many books, all doling out the life (and dream-life) of