Heid E. Erdrich’s new collection is more than a healing of past wounds. Rather, it is remarkable precisely because it posits the act of speaking as liberatory practice, a difficult action that will project us into a different and less abusive future together.
Natalie Diaz’s new collection is a withering critique of conditions faced by Native peoples past and present.
At the center of Dissolve, a single line repeats four times: "I breathe it in." These inhalations encapsulate both the rich density and the immersive capacity of Bitsui's work.
Invoking the “boundless” and the “limitless,” Nezhukumatathil sets out a simple, yet profound, argument about our relations with the natural world: the more we feel the ocean’s embrace, the sooner we sense its particular “hum” everywhere.