Elena Ferrante often uses objects in her fiction to explore relationships and time, but she also uses them as objective correlatives; while the bracelet in her 2019 novel serves as a way to move the reader through the plot, it is also clearly identified as an object, one that
In Bryan Washington’s first novel, photos are used, in part, to consider how we use images to communicate. They also work together to create a narrative arc that echoes the arc of the book itself.
Two of Lauren Groff’s recent stories share an interest: exploring the relationship between domestic violence and masculinity. Each story acts as a mirror for the other, the differences often pointing up the similarities and allowing the two pieces to connect in subtle and nuanced ways.
The use of place in Evie Wyld’s third novel underscores the constant nature of violence against women—that unchanging and immoveable landscape—and yet the capacity for women to band together in order to fight back shows that there may, indeed, be better days ahead.
Over the course of Maria Kuznetsova’s second novel, out next week, we switch back and forth between the perspectives of a woman and her grandmother. In the process, we begin to understand how tightly the two women are connected, even as the lives they live are vastly different, and
Brinkley’s story, written in response to Trevor’s, echoes the latter’s plot, characters, and structure, but in capturing its tone—a gentleness and a very light touch—the story transcends the original, its ending resonating with meaning.
John Millington Synge’s 1907 play is now a classic, examining, among other elements, the definition of a hero and the role of the community in that definition. Over a hundred years later, two contemporary novels, both set following the 2008 financial crisis, echo it in numerous ways.
In this debut story collection, the reader feels the story in their body as they read; Moniz makes us look directly at the source of trauma in order to share the pain.
Megha Majumdar’s debut novel forces us to see the inequities in the world, and the way desire for freedom is so often thwarted.
In Tariq Shah’s debut novel, the protagonists finds a sliver of life in a world of death and, with that, a tiny bit of grace.