Author Archive
The Search for Home in Away to Stay
Mary Kuryla’s debut is a coming-of-age novel, a story about a girl slowly finding her way—though in this case, the narrative is turned upside down: Olya finds a home rather than leaves one.
Love and Loss in You Never Get It Back
Cara Blue Adams skillfully deploys the direct address in her 2021 collection. The love and loss that is examined throughout is heightened by this craft choice; the narrative arc that is created through its use underscores the narrative arc of the collection and carries the reader through the book
The Ebb and Flow of Women’s Friendships in Fiona and Jane
Jean Chen Ho’s wonderful debut is a book that is built on memory, a book that speaks to the importance and difficulties and richness of friendship between women over time, a book that braids its form and content together to create meaning.
Two Boston Commons at Twilight
Susan Minot’s story “Boston Common at Twilight” shares its title with a Childe Hassam painting. Although the former does not directly mention the latter, there are many ways that the works are linked, and seeing these connections underscores the themes that run through the story and allows the viewer
Hao’s Exploration of Language
As Ye Chun’s new collection builds, drawing and exploring the lives of Chinese women, the importance of language to communicate, to understand, and to dream is illustrated again and again.
Life and Death in Today a Woman Went Mad in the Supermarket
Hilma Wolitzer’s new story collection is brimming with life and humor, and yet death is ever-present, leading the book forward to its final, inevitable conclusion.
Dybek, Shalamov, and Condensed Milk
The transformation of milk into preserved milk is a magic trick of sorts, a way to extend the life of a perishable product. Although in very different ways, Varlam Shalamov’s “Condensed Milk” and Stuart Dybek’s “Pet Milk” are interested in considering man’s ability to do the same.
The Transfer of Power in The Lying Life of Adults
Elena Ferrante often uses objects in her fiction to explore relationships and time, but she also uses them as objective correlatives; while the bracelet in her 2019 novel serves as a way to move the reader through the plot, it is also clearly identified as an object, one that
The Parallel Narrative Arc in Memorial
In Bryan Washington’s first novel, photos are used, in part, to consider how we use images to communicate. They also work together to create a narrative arc that echoes the arc of the book itself.
Reading Two Groff Companion Pieces
Two of Lauren Groff’s recent stories share an interest: exploring the relationship between domestic violence and masculinity. Each story acts as a mirror for the other, the differences often pointing up the similarities and allowing the two pieces to connect in subtle and nuanced ways.