Over the course of Maria Kuznetsova’s second novel, out next week, we switch back and forth between the perspectives of a woman and her grandmother. In the process, we begin to understand how tightly the two women are connected, even as the lives they live are vastly different, and
Brinkley’s story, written in response to Trevor’s, echoes the latter’s plot, characters, and structure, but in capturing its tone—a gentleness and a very light touch—the story transcends the original, its ending resonating with meaning.
John Millington Synge’s 1907 play is now a classic, examining, among other elements, the definition of a hero and the role of the community in that definition. Over a hundred years later, two contemporary novels, both set following the 2008 financial crisis, echo it in numerous ways.
In this debut story collection, the reader feels the story in their body as they read; Moniz makes us look directly at the source of trauma in order to share the pain.
Megha Majumdar’s debut novel forces us to see the inequities in the world, and the way desire for freedom is so often thwarted.
In Tariq Shah’s debut novel, the protagonists finds a sliver of life in a world of death and, with that, a tiny bit of grace.
New novels by Maria Kuznetsova and Elizabeth Strout, written in the form of chapter-length stories, give us the opportunity to see a great span of a life and to focus in on the moments that matter.
In Mimi Lok’s debut story collection, the characters are linked in their sense of displacement and isolation, both connected to and separate from their families and their shared histories.
Chanelle Benz’s haunting debut novel interrogates memory, race, and the way that stories define our lives.
In Kristen Arnett’s debut novel, the dead resemble the living, and the living seem to be on the brink of death.