James Lipton, theatre director and host of Bravo’s Inside the Actor’s Studio, has a pet theory about actors and entertainers he trots out on air from time to time, a theory he bases on hundreds of interviews: children of divorce often become artists—particularly of the theatrical sort. He describes
Albee believed deeply in education. He thought theatre’s job was to teach us something, and he carried that mission into other aspects of his life, like his exacting presence as a director, his occasional stints as an instructor, and his foundation, which offers time, space, and quiet to artists.
Heraclitus, the “Weeping Philosopher,” described Sybil as “[a] frenzied mouth [that] utter[s] things not to be laughed at, unadorned and unperfumed, yet reaches to a thousand years with her voice by aid of the god." Erica Dawson’s remarkable new book describes our tumultuous present with all the tenacity of
Emily Brontë’s attraction to images and metaphors of imprisonment are fueled by historical precedent and romantic inclination, especially by way of Mary, Queen of Scots.