Nina Mingya Powles’s newest collection is a sensory feast. Inviting readers into the spaces between language and culture, between country of birth and countries of origin, Powles paints the landscapes and histories that have shaped her.
The poems in Mary Jo Salter's collection invite readers to consider what we will remember from a time that feels unforgettable now. As COVID-19 begins to take up less and less space in our heads, will it be more than distant memory, something almost unintelligible to future generations?
In the collection, language, like nature, is elemental—a way of speaking and being in the world . . . Riley’s inventiveness is an invitation to notice language’s connection to the natural world.
Jo Hamya’s debut novel is an invitation to reflect not only on where we house our bodies, but also our attention.
Jhumpa Lahiri’s new novel beautifully showcases the way we experience life: the moments that are most important—the turning points—are often only realized in retrospect.
In poems that tenderly call us to action, Mattawa awakens readers to the human and geographical devastation wrought by the tendency to “other” people. Fugitive Atlas is a collaborative prayer for a shattered earth.
Elisa Gabbert’s new essay collection is both an examination of conscience and a cataloging of modern American anxiety. It touches our pressure points with the intention of helping us identify sources of pain in our own lives.
Zhang’s novel is a treasure-trove of questions that devastate even as they beckon readers on.
Eliane Brum’s journalism is a challenge to those of us living lives of comfort and privilege. Our task is to be the reporter she strives to be: one who mostly listens.
In the wilds of associations that Howe’s poems produce, readers are sure to find both niches of rest and, simultaneously, calls to action.