Part myth, part bildungsroman, part queer love story with a lyric, fabulist delivery, Chang’s debut novel, out today, is a novel of the body—its mundane functions, its power to create life, the ways in which it decays—as well as what can be done to a body—by war, from domestic
Through her celebration of nature—and herself—Aimee Nezhukumatathil explores how it connects her to family and has played a role in building her own. Ultimately, she urges, we should wonder while we can, and do better to protect that which we can wonder at before we lose it completely.
I can understand why Roland Barthes, like many others, may have second-guessed the veracity of his migraines, this extreme—invisible—pain. Even with the blinds drawn, lying on my bed with a cold washcloth across my forehead, I wonder if what I am feeling is real.
Brit Bennett’s recently published novel and Nella Larsen’s classic reveal the danger—and loneliness—of a black woman passing for white in the early 1900s and the 1990s. Passing affords the freedoms and opportunities for reinvention that whiteness allows for, but this comes at a terrible cost.
The narrator of Emily Temple’s debut novel, Olivia, holds a deep desire to belong, to be loved, and to be touched—a desire that trumps her regard for safety, leading her to even give up her will to find her missing father.
Burns’s new novel resurrects the experience of women in Appalachia rather than letting their stories be buried while their husbands’s live on.
Chelsea Bieker’s debut novel, out today, feels familiar, devastating, like it has already happened, could, or might again. It’s the story, too, of motherhood in all its iterations, from abandonment to adoption, at the best of times and worst, and the moments, no matter how small, of love.
Lady Macbeth’s tragedy is the tragedy of being a woman. What more powerful way to show this than through a difficult woman to like?
Monson’s newest collection, out tomorrow, continues his exploration of essays and essaying, scrutinizing the “I”; playing with prose and white space on the page; and examining the nature of memory—all while suffusing his observations with the cultural elements he examines in earlier collections.
Anne Boyer joins others, like Susan Sontag, Nina Riggs, Audre Lorde, and Kathy Acker, who push against and question the breast cancer narrative conventions.