Matthew Burnside is a writer and educator. He is currently working on a collection of science fiction stories and a series of young adult adventure novels.
Shira Dentz is the author of three books, black seeds on a white dish, door of thin skins, and how do i net thee (forthcoming), and two chapbooks, Leaf Weather and FLOUNDERS, newly available from Essay Press. Dentz is the recipient of an Academy of American Poets’ Prize, the
Gwee Li Sui is the author of the graphic novel Myth Of The Stone, the book Fear No Poetry!, and poetry collections The Other Merlion and Friends, Who Wants To Buy A Book Of Poems?, and Who Wants To Buy An Expanded Edition Of A Book Of Poems?. I
Cheryl Julia Lee is the author of the poetry collection We Were Always Eating Expired Things (Math Paper Press, Singapore), which was shortlisted for the Singapore Literature Prize in 2016. She is pursuing her PhD in contemporary fiction at Durham University.
Christina Seymour is the author of the poetry chapbook Flowers Around Your Soft Throat (Structo Press, UK). Her work appears in Cider Press Review, North American Review, Cimarron Review, Wingbeats II (Dos Gatos Press), and elsewhere. She teaches creative writing at Maryville College in east Tennessee.
Sandra Marchetti is the author of Confluence, a collection of poetry from Sundress Publications (2015). She’s also written four chapbooks of poetry and lyric essays, and she is a lecturer in interdisciplinary studies at Aurora University near Chicago. I interviewed her about her latest chapbook, Sight Lines.
Workshopping individual poems is one thing; working on a full chapbook or book manuscript is quite another. For the reader or writer who wants to put away the notion of poems as discrete, and to look for a demonstration of poems as part of a fuller structure or
Grace Shuyi Liew is the author of the chapbook Prop (Ahsahta Press, 2016) and Book of Interludes (Anomalous Press, 2016). Her work has appeared in cream city review, PANK, Bone Bouquet, West Branch, and other journals. She is a contributing editor for Waxwing and an alum of Aspen
Cyril Wong’s latest book of poems, The Lover’s Inventory, begins with an epigraph by Emerson: “Poetry teaches the enormous force of a few words, and, in proportion to the inspiration, checks loquacity.” That this is the last book Wong may be publishing for a while is a pity
In Canyon in the Body by Lan Lan (b. 1967), translated from Chinese by poet and musician Fiona Sze-Lorrain, the speaker bears witness to reminders of the natural world in the midst of personal and mass misfortune. Sometimes indignant, at other times resigned or awestruck, the speaker’s observations add