Critical Essays Archive
Perhaps, in connecting the song’s teachings of drug struggles from the ’60s with those of the book and films of the ’90s, both similarities and differences across these platforms can provide intake on why the opioid epidemic either comes in waves, or never truly leaves.
What It Is is expressionistic and difficult. Before the techniques are imparted (and they are, eventually) Lynda Barry spends more than one hundred pages blending comic panels, short passages of autobiography, and gorgeous, bizarre full page collages that explore the fundamentals of craft and creativity.
The internet giveth and it taketh away. What it gives readers is legion. What the internet contributes to taking away, however, is the ability to concentrate.
There is something about pressure that fascinates me. I never could stand to stick a pin into a balloon, but I would rub one against my head to make my hair stand on end and, in the slow, painstaking process, break the sack of air against my skull.
For old-school southern writers, it seems, having roots in the South—being born there—is a key reason they’re classified as “southern writers.” Thinking of contemporary writers like Codrescu as “southern” is more complex. Though often intensely regional, movement is a central concern of his essays and poems.
The surrounding parts of Greenwich Village, with its cafes and bookstores and instrument stores and doughnut shops and all things to and from those sorts, brings to one a brevity of air when they can connect who else has been there before.
In watching birds, I understand Adrienne Rich’s idea of triangulation through poetry, science, and politics. Someone thousands of miles across the globe must also value, give voice to, and protect the homes of my most familiar backyard birds.
As an ordained Baptist minister, Dyson poses the book as a sermon and executes what few writers who address racism can: examine such a disparaging and complex issue in a broader and historical context without making it palatable to those who benefit from its existence.
Why are rural communities so often the target of linked story collections?
Last weekend, I attended The Washington Ballet’s final event of the season, “Tudor, Ashton, World Premiere” at the Kennedy Center. The World Premiere—Kent’s first commission for The Washington Ballet—was timed with the Kennedy Center’s celebration of John F. Kennedy’s centennial.