Critical Essays Archive
Multiple Selves in Illness Narratives
It is clear that there is benefit in creating multiple selves in order to process trauma, distance oneself from illness, and imagine an alternative reality as a means of coping. There is also power in naming oneself, especially after illness or injury.
The Violence Women Face
The #MeToo Movement has opened up the public discussion around violence against women, especially sexual violence. In the last few years, many of our contemporary poets have written frankly and devastatingly about the many kinds of violences women disproportionately face.
A Feminist Look at Edward Abbey’s Conservationist Writings
January 2018 marked fifty years since Edward Abbey published his paean to America’s southwestern deserts. In the wake of this anniversary, numerous tributes to Abbey and his books appeared, but few, if any, of these articles looked at Abbey’s work through a feminist lens.
Saar Yachin, Ethan Nichtern, and the Poetry of Instability
“Ewer Toccata” depicts the surprise that Saar Yachin—a poet, translator, and musician—experienced when he moved to the desert town of Mitzpe Ramon in southern Israel and was hit by divine inspiration. “I went to the desert to find quiet,” he writes. “Boom! Ewers of poetry.”
Dark Places in Paradise
After having children, the always-baffling allure of a commune began to make a bit more sense. I had a daughter and was pregnant with my son when the media began reporting on refugees dying while attempting to cross the Mediterranean, and when my outlook on American policy became nihilistic.
Gillian Flynn’s Sharp Objects and the Repression of Women’s Anger
Where other recent feminist works have focused on women’s anger sparked by sexual harassment, sexual assault, and rape, Flynn’s novel attributes this rage to unrealistic and gendered expectations of perfection.
Absence and Marcel Proust’s Letters
In an 1863 letter to his sister, Blessed Cardinal Newman wrote that “the true life of a person is in their letters…. Not only for the interest of a biography, but for arriving at the inside of things, the publication of letters is the true method.”
Writing the Unknown in Memoir
Novelists, Vladimir Nabokov once said, are “more fully at home on the surface of the present than in the ooze of the past.” Great memoirists, on the other hand, are not fully at home in the present until they navigate their way through this ooze.
Lizzie Borden in Angela Carter and Sarah Schmidt
In 1892, Andrew and Abby Borden were murdered in their home in Fall River, Massachusetts. The prime suspect was Andrew’s daughter Lizzie. The murders have since been mythologized in a heady mix of rumor and conjecture; poisoned milk and madness-inducing menstrual cycles are but two of the incongruous details.
Karen Russell and the Art of Discomfort
Without the draw of discomfort, horror wouldn’t be possible. Karen Russell uses different types of discomfort to shape her new short story, “Orange World,” in which Rae, an expectant mother with a high-risk pregnancy, makes a deal with the devil for the safety of her unborn child.