Chris McCormick’s debut novel represents American identity—full of choice and individualism, though not in as positive a manner as we would like to believe.
Lara Prescott’s thrilling debut novel focuses on the CIA’s efforts to smuggle and distribute Boris Pasternak’s legendary novel. But it takes a subversive approach, telling the story from the perspective of the unsung women, at both the CIA and in Soviet Russia, who made Pasternak’s legend possible.
From four perspectives, Washburn’s new novel tells the story of a family slipping apart, colliding with the rest of the world, hoping for the fulfillment of their hopes and dreams.
Deb Olin Unferth’s latest foray into the socio-political, an action-adventure novel with touches of humor, is built around an anti-big-ag upheaval though rooted in the fragile relationships we cling to in a chaotic, inspiring, and often difficult world.
Following the conclusion of her Climate Visionaries project undertaken with Greenpeace, Jason Katz speaks with Lauren Groff about writing climate fiction, her climate-related work, and talking to our youngest about climate change.
Poupeh Missaghi’s debut novel follows a protagonist obsessed with finding out why Tehran’s statues are disappearing. It’s an experimental hybrid work that combines a traditional novel narrative with quotes from theorists and writers, dossier-style notes on people who have been made to disappear after death, and poetry.
Yu is a master at mixing the artful, the humorous, and the meaningful atop new landscapes, and his new novel, the first to delve into conversations around race and ethnicity, is no exception.
The satirization of the all-inclusive resort, a symbol of international tourism, could only be accomplished in a meaningful way by a titan of Mexican letters like Juan Villoro. Not only does he have the qualifications, but he has a unique capacity to create absurdist characters.
Mira Ptacin’s new book is an exploration of Spiritualism’s history and its place in the current landscape of American faith practices. It also shows us, through the personal story Ptacin includes, how Spiritualism can help those still living and grieving after a loved one has died.
Straight’s new memoir is part family history, part memoir, part love letter to her daughters, part US history, part reading list, and partly a discussion of the amorphous concept of the heroine’s journey. Like its author, the book is never one thing; it rests on opposite ends of various