Mira Ptacin’s new book is an exploration of Spiritualism’s history and its place in the current landscape of American faith practices. It also shows us, through the personal story Ptacin includes, how Spiritualism can help those still living and grieving after a loved one has died.
Straight’s new memoir is part family history, part memoir, part love letter to her daughters, part US history, part reading list, and partly a discussion of the amorphous concept of the heroine’s journey. Like its author, the book is never one thing; it rests on opposite ends of various
Fragoulis roots her 2012 novel in the Greco-Turkish blues, including lyrics of well-known rebetiko songs that she has translated to transport the reader into the world of Kivelli—who, like many of her fellow refugees, pours herself into music to forget the trauma of losing everything she has known.
“It’s so important for survivors to choose when they come forward, and to have control over their stories. That’s why I wrote this book. Now, though, my story is a story for others. I’m giving up control, and that’s my decision.”
Etter joins a legacy of women writers who depict the horror of women’s experiences.
The poems in Forché’s 1981 collection relate the violence and the normalization of cruelty that she witnessed in El Salvador—a subject she also approaches in her recent memoir—in obliquely crushing, brutal language.
Weaving together her experiences of womanhood, of her Korean-American heritage, of her place within diaspora, poet Jihyun Yun goes beyond simple dualities, privileging instead what remains irreducible in the face of neat labeling.
Regardless of a reader’s background, Meghan O’Gieblyn’s work delves into territory that resonates with us all, shedding light on our current religious climate and on the way religious beliefs influence secular society.
In the thirty-four years since Cecille Pineda’s debut novel was published, she has established herself as a writer and activist with a profound sensitivity to the lives and stories of those living at the world’s margins.
T Kira Madden’s new memoir is ultimately redemptive—it is a book about growing back from brokenness and finding love after a childhood spent longing for it.