With the appearance of Susan Elmslie's long-awaited second full-length collection Museum of Kindness, I asked her a few questions about it, and about writing in general.
Karim Kattan is a young writer who lives between Bethlehem and Paris. He has written for The Paris Review, Vice’s i-D, and The Funambulist, among others. In 2014, he founded el-Atlal, a yearly residency in Jericho for artists and writers. Préliminaires pour un verger futur, published by Elyzad, is
Orison Books, founded and edited by Luke Hankins, is a nonprofit literary press whose mission explicitly states its desire to publish books that focus on the life of the spirit.
Paisley Rekdal’s writing explores identity in its many facets: the experiences and influences that make us who we are and all the ways we shape, and are shaped by, our world. I had the chance to connect with this writer I’ve long admired to talk about Imaginary Vessels.
I chatted with Michael Reynolds about his Bookselling Without Borders program, Europa Editions’ unique mission in the field of translation publishing, and how Reynolds’ life and time abroad informs his sensibilities as an editor.
Zeina Hashem Beck’s new poetry collection, Louder than Hearts, takes the idea of brokenness—of fragmented languages and lands—and weaves together whole worlds rich in the musicality and beauty of the Arab world.
The Book Hive is a much-beloved independent bookshop that sits on the slope of a hill in Norwich’s town center. By purchasing from independent presses and maintaining a tailor-made monthly subscription service, the shop pushes the readers of Norwich down unexpected avenues.
Anglophone readers owe a debt to translator and professor Dr. Karen Emmerich for her many contributions to Greek literature in translation. Currently a professor of Comparative Litearture at Princeton University, Emmerich has translated everyone from Yiannis Ritsos to Margarita Karapanou to Christos Ikonomou.
His latest novel Legend appears with TalonBooks this fall, and a subsequent novel, Skin House, appears with Anvil Press in Spring of 2018.
TV is no longer the second cousin to film; in many ways, it’s become the higher art form. And to a great extent, television has become society’s barometer—it shapes and tells us more about who we are than almost any other medium.