Personal Essays Archive
Coming from a culture where audience participation was an integral part of communal life, the novel does not offer my parents, Lao refugees, an easy entry point. So I wrote in a way where nothing would be lost if they added their own spin to the story.
When I read Laymon’s recent memoir, I had a visceral reaction. It reminded me why I started writing. It made me wonder if my writing reaches my peoples and keeps us revising and growing in our stories. If writing protects us from the silence of memories lost.
Typically, people come to London to experience the best of a culture as it manifests itself in its great museums, libraries, and performance venues. London’s green spaces, however, present an allure equally powerful.
A bus ride is not the ideal place to fall out of love. But years ago, I was on a bus somewhere between Entebbe and Kampala with two dozen women from across the world when I began to turn my life of partnered bliss on its head.
From childhood, the Brontë siblings held each other’s intellects in high esteem and together made a web—a story-catcher—out of their own disparate interests, their ideas acting as warp and woof, their mutual love and respect a catalyst for their later works.
The garden is a riot. Tiger lilies stifling the mailbox, butterflies on pink milkweed blooms, pansies in baskets. Standing on the front porch drenched in this splendor, I welcome the celebration and fear the powerful spirits that bring such life. What is most alive is also very close to
In 1976, I sat in a Dublin bookshop, taken hostage by Caithleen, her Dada who drank and hadn’t come home, and her poor Mama off on a fateful row in the lake. In the Country Girls trilogy, Edna O’Brien’s boisterous prose grabs and never lets go.
I love my son in a way that is so deep and fierce to be fundamentally at odds with the assumption that I’d be careless with him. I would breastfeed the devil, appease the wolf. But I know that even if I do, I am powerless against so much.
From the moment children are conceived, we become acutely aware of the fact that they could also die.
bill bissett’s 1971 collection is about the narrator’s experiences with escapism.