Writing Archive
Mango and Masala: Food in the Immigrant Novel
The buffet of novels in which food takes center stage is abundant and delicious. As a nonfiction food writer and a dabbler in fiction I find a wide array as I try to research how fiction writers, especially novelists, depict food. Simple preliminary Googling suggests more than fifty such novels.
Booze, Books, and Boys: Literary Friendships Throughout History
Oscar Wilde and Bram Stoker Oscar Wilde was the son of Lady Jane, an eclectic socialite who collected artists like trophies. Bram Stoker was a frequent feature in her Saturday night salons, although the two met at a young age and were fast friends through the rest of their
Planetary Poetry
It’s a comet, no it’s a planet, no it’s not a planet, yes it is. What is it about Pluto that so draws us to it? Is it that Pluto is so far away? Or is it just that we always pull for the underdog? Over the past few
Notes on the State of Virginia: Journey to the Center of an American Document, Query VI
Author: Kiki Petrosino | Categories: Nonfiction, Poetry, Series, Writing, Writing Advice No comments
This is the fourth installment of a year-long journey through Thomas Jefferson’s Notes on the State of Virginia. You can read previous installments here, here and here. ** Query VI: “Productions mineral, vegetable and animal” A notice of the mines and other subterraneous riches; its trees, plants, fruits, &c.
Writ in Water: Interview with Chris McCormick and “Desert Boys”
Author: Joseph Horton | Categories: Authors, Interviews, Publishing, Reading, Series, Writing, Writing Advice No comments
This month, I chat with author Chris McCormick, whose terrific debut of linked stories, Desert Boys, follows main character Daley “Kush” Kushner and his friends Robert Karinger and Dan Watts. The book is largely set in the growing desert suburbia of the Antelope Valley, 70-odd miles north of Los
Writer-In-Chief: As a Man of Letters, Obama Will Be Missed
In the era of the 24-hour news cycle and ubiquitous WiFi, being a good writer would not seem to be much of an asset to a politician. A commanding TV presence and social media savvy are at least as important. It wasn’t always this way, of course. Until the
On Failure: Being a Writer Who Translates and a Translator Who Writes
I spent a large part of last spring working in coffee shops all around the Finger Lakes region with a group of writers. One of them had published several novels; another had just signed with an agent and was making revisions to her novel-in-progress; the others were working on
Our Ladies of Perpetual Sorrow
There’s something happening with the personal in writing, and Jason Guriel’s highly circulated Walrus essay “I Don’t Care About Your Life” wants to warn us about it. “I Don’t Care About Your Life” isn’t as polemical as it sounds. For one, its title doesn’t so much reveal Guriel’s hand,
L’Appel du Vide: On Visual Caesuras and Erasure
I take the five students of my poetry micro-workshop outside to discuss Claudia Emerson’s latest collection Impossible Bottle. As we sit in the sun, bending over the brilliant bright book pages, a student points to the poem “Metastasis: Web” and volunteers to read it aloud before our analysis of
Origin Stories: Don DeLillo’s UNDERWORLD
Novelists, like paranoiacs, see connections where other people don’t, which is to say that both are always trying to uncover plots. Don DeLillo is a dean of both groups, so it’s fitting that his 1997 masterpiece, Underworld, is a conspiracy of people, events, and cultural touchstones (both real and