Writing Archive
Details and Big Picture, Through the Eyes of a Visual Artist
I came to writing by way of visual art and the loss of the ability to step back from my work and see the whole, seemed insurmountable to me. But I now understand that language can be used just like paint.
Also a Farmer
I started farming the year after I completed my MFA, and in the six years since I’ve been trying to figure out how anyone could possibly be a writer and a farmer at the same time.
Finding a {Digital} Home
This June, I was in Victoria, B.C. for a conference and summer institute that took me away from home for ten days. I was surrounded by water & mountains, fresh air & kindness, and it felt like just the kind of intellectual and emotional salve I needed after yet
Writing in a Non-Native Language: Choosing Whom to Love
During my adolescence, I fell in love with a language before I fell in love with a human being. In high school, in India, a former colony of the British, I came to like – and then love – the English language. The first words I had learned as
The Internet in Literature: Sven Birkerts, Jennifer Egan, Chuck Klosterman, Jarett Kobek, & Patrick Madden
Kurt Vonnegut, in A Man Without a Country (as quoted by Chuck Klosterman), writes, “I think that novels that leave out technology misrepresent life as badly as Victorians misrepresented life by leaving out sex.” Yet books set before the ubiquity of the internet often grace bestseller lists and win
Out With the Old and in With the Ancient: The Bible as Literature in Translation
It isn’t only Israeli politics and government agenda that hang on the narratives of the Bible—the Hebrew language is profoundly steeped in biblical passages, references, and turns of phrase.
Urban Pastoral: American City Poets and Poems
American poetry has a rich tradition of creating space for the full truth of our cities in poems and drawing connections between the interdependent worlds of American city life. Thinking about this tradition in formal terms, we might call it the urban pastoral.
Objects in Mirror: Emotional Distance in Writing
"You pass through a world so thick with phantoms there is hardly room for anything else" reads a line in Steven Millhauser's short story "Phantoms." The story uses a communal voice and direct statements to the reader to engage us with its ideas.
“If I Can Bear the Nights, the Days Are a Pleasure”: On Not Writing
I’m a slow writer and I accepted that a long time ago. But earlier this year, I noticed I was becoming slower and slower, writing a sentence a day, even a sentence a week at times. I was experiencing a period of drought.
Urgency: On Writing About the Body and the Corporeality of the Lyric
A few years ago, I spent a good hour on a medical table, swaddled in a pale blue paper sheet, supine in the shadow of a plastic surgeon who had had to numb my face with three full syringes of lidocaine.