The poet of Dan Chiasson’s poems is a father and a son, often both at the same time. The poet of Dan Chiasson’s poems, since his first collection was published in 2002, reveals more about himself, his being a father and a son, through the way his poems are
People are often mystified about how anyone could get involved in a cultish group, or may vaguely think that “brainwashing” was involved. Indeed, while we might feel safer if there were more esoteric or arcane tricks being used, Montell argues that cults bewitch followers exactly the same way that
The protagonist of Claire Vaye Watkins’s new novel refuses to perform motherhood, wifedom, and womanhood within the strictures of these words. But her refusal calls into question her very character, in others’ eyes and sometimes also her own. If she doesn’t fulfil these roles, what is she?
Hilma Wolitzer’s new story collection is brimming with life and humor, and yet death is ever-present, leading the book forward to its final, inevitable conclusion.
In the collection, language, like nature, is elemental—a way of speaking and being in the world . . . Riley’s inventiveness is an invitation to notice language’s connection to the natural world.
By remaining subtle at times and uninhibited at others, Yanick Lahens pens an essential family saga in the midst of Haiti’s politically turbulent mid-1900s, one that casts an eye to undiscussed brutality while simultaneously upholding a joyous celebration of culture, family, and female strength.
They say that in the right space, a space like a cathedral, that is designed for sound, you can build up so much resonance that the air is thick with it. It tingles on the skin and lingers long after the last note is played.
Writing for me had always been a release. But every time I tried to write about my experiences as a Black man, the same thing happened: I doubted myself, and wondered if I was Black enough to write about the Black experience.
Jasmin Darznik’s second novel, which imagines the early adulthood of the famous photographer Dorothea Lange, tracks the revelation of Lange’s artistic ethos: photography, she comes to accept, is as much about the seer as it is about the seen.
In the late Izumi Suzuki’s English language debut, readers are dropped into worlds in which characters have acclimated to the advanced technologies available to them; as a result, we get a deep exploration into how technological innovations have impacted—or not—human interaction.