Lily King’s new story collection drops readers into imperfect lives, evoking awe and anger and admiration and futility, reminding us how it feels to be human.
Inextricably intertwined with the seeming power of the Anthropocene is a deep grief for the loss of a world that we suspect once existed, that we catch glimpses of, but that eludes us more each day.
Katie Kitamura’s most recent novels are like mirror images: though their titles suggest that their subjects are opposing themes—separation in one and intimacy in the other—both novels show how our lives are bound up in the lives of others, including those from whom we wish to separate.
Okezie Nwọka’s debut novel continues a powerful literary lineage of works representing Igbo resistance to colonial pressures. Nwoka’s book focuses on the tradition itself, treating it not as a fatally flawed or romanticized stable inheritance, but a living system that is not beyond change.
As Ye Chun’s new collection builds, drawing and exploring the lives of Chinese women, the importance of language to communicate, to understand, and to dream is illustrated again and again.
In Kyle Lucia Wu’s debut novel, care looks like many things . . . it’s in this subtle lesson that Wu’s quiet, understated prose builds to a deeply moving coming-of-age novel.
With its emphasis on seeking freedom, promoting justice, and restoring individual dignity, the testimonio form has proved to be a powerful decolonial literary tool. Aruni Kashyap uses testimonio in his poetry to tell silenced tales of state repression in Assam as an act of political resistance.
Clarice Lispector soothes and excites the reader through variation, inversion, and extension, writing in a manner that is both erotic and illuminating, and difficult to translate.
Miriam Toews’s 2004 novel explores layers of trauma in a Mennonite community, but the most striking, heartbreaking thing about this book is the moments of grace that Toews identifies within the pain.
Karl Ove Knausgaard’s new work compels readers to pay attention to the dissolution of animal life and our reliance on it, to the ends of relationships, to the shortness of the human life span, and to the book’s own looming narrative endpoint. In this novel, all things have an