I’ve worked full time and attended the MFA program at NYU full time for about eighteen months now. While I’ll certainly miss the program and all the people associated with it once I graduate in May, it’ll be something of a relief to return to my usual Monday to
The Vanishers: A Novel Heidi Julavits Doubleday, March 2012 304 pages Shortly after Julia Severn, the heroine of Heidi Julavits’s fourth novel, drops out of the Institute of Integrated Parapsychology—or, “the Workshop,” an insular monoculture of clairvoyant parlor games, Fair Isle sweaters, and home-brewed tea—she is enlisted by a
I had a great idea for a story. The main character is a 32-year-old actor who lives in Brooklyn. He is looking for his runaway sister, and… Wait. Actor? What kind of actor? What has he been in? Did he always want to be an actor? Most actors can’t
Writing a novel set in 17th Century London, I wrestle regularly with understanding my characters’ world. Have I done a good enough job comprehending their relationship to time? To daylight and darkness, to religion and mortality? I worry about getting the physical details of daily life right in
The best books I’ve read haven’t just been good: they’ve changed the way I think about writing, they’ve challenged what I think a book can and should do, they’ve encouraged me to go back to older texts and read them in a new light. In short, they’ve not only
There won’t be any book reviews on the blog this week, mostly because we think you should all be at AWP in Chicago instead, buying—and attending readings of—as many books as you can. More importantly, though, if you happen to be at AWP, make sure you also take some
“How do you write women so well? “I think of a man, and I take away reason and accountability.” – As Good As It Gets. The above, often-cited quote about how to write female characters is quite funny, but at least for me, not true. As a man, I
Last week, I wrote about a disturbing trend I see in children’s movies. For this week’s post, I asked Randy Testa, Vice President of Education and Professional Development at Walden Media, to share some reflections on the process of adapting children’s books to screen. Randy Testa spent six years
I think a lot of book reviewers were smacked as children. Some of them must have at least been bullied. How else to explain their admiration for the ability not to flinch? Just look at the first page of results when you Google “unflinching book review.” At the British
I was teaching undergraduate creative writing last fall, and toward the end of the semester a few of my students began asking me about how, exactly, one becomes a writer. They wanted to know what classes they should take, what sorts of things they should be thinking about or