When a Workshop Goes Bad (Part 1)

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  I have been a part of many writer’s workshops. College, post-college, online, extension school, gathering of friends. You name it. I’ve done it. For the most part, I believe workshops made my writing better. After all, there’s only so much that you can perceive regarding your own words.

Writing Fiction, Writing Plays, Writing Voice: an Interview with Carol Gilligan

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I first met Carol Gilligan in 1994. I’d read In a Different Voice in college, and had been intrigued by that book’s observation that women’s voices change the moral conversation…so when I met Carol I was prepared to see her through the lens of that groundbreaking work and all

The Great MFA Debate

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If you’re interested in poetry and/or literary fiction and have been reading the Internet at any point over the last decade, you’re probably at least vaguely aware that there’s some controversy over the MFA degree: the number of people pursuing it, the effect it has on American writing, and

Pauline Kael: A Life in the Dark

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Pauline Kael: A Life in the Dark Brian Kellow Viking Adult, October 2011 432 pages $27.95 Please note: Emily Murphy is not the author of this post, contrary to what it says. The author is Joshua Garstka. See the bottom of the post for bio information. “This was the

Finding Time to Write

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Very few writers can actually support themselves with their writing. Since, like the vast majority of writers out there, I work during the day, people often ask me when I have time to write. After all, with a corporate job, family life, varying attempts at a social life, fantasy

Radio Drama and the Written Word

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  I once spent a year working as literary editor for a group that produced radio plays—dramatic adaptations of American short stories, which were then broadcast on NPR and BBC. Though I was never more than a novice in the radio world, I loved it—the collaboration, the energy of

ePocalypse Now

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So! A quick caveat. By night, I’m a poet: I write, I submit, I sometimes get an acceptance, I get a bunch of rejections, and I submit again. Lather, rinse, repeat. There’s notoriously little money in poetry, however, so by day I work in the digital group of a

Dear Dr. Poetry

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Happy Life by David Budbill Copper Canyon Press, August 2011 122 pages $16.00 [Editor’s note: “Dear Dr. Poetry,” a new column by Shannon Wagner, will appear regularly on this blog.]   Dear Dr. Poetry When I sold my VW van to buy my first suit for a job at

Korean American Identity

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I am Korean American and a writer. More often than not, I write about Korean American characters, though I don’t always focus on their ethnicity in my writing. I view ethnicity as one of many lenses through which one perceives the world, and it is by no means the

Literary Friendship Across Political Borders

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If there exists a more solid foundation than this for a literary friendship, I can’t think of it: My words prompted readers to sever their connection with the publication. And my editor stood by me. This is the second in a two-part blog about Hala Salah Eldin Hussein, an