Voice: Self
I want to preface this whole thing by saying that I’m not writing this because of the Rankine/Hoagland debate that sprung up in/around/after AWP. I’m happy that conversation is in existence, and I’m glad people are debating notions of voice, ownership, and race, but that’s not necessarily where this started. I should also mention that I was
Rules, Shmules
Because several of my preceding posts have been very earnest, and also, possibly, a little depressing, I thought that it might be nice to end my tenure as a Ploughshares blogger on an upbeat note. With this in mind, I recently asked a group of anonymous literary authorities to
Friday Night Lights: Pigskin and Plot Devices
Disclaimer: I tried to avoid anything that would compromise the Friday Night Lights narrative for those who haven’t picked up on it yet. But seriously, if you haven’t watched the show, you should hit up Netflix right away. * In Atlanta last Christmas, I got trapped like Jack Torrance
The Proposal
Here’s my proposal: I think all of us who write and submit creative work for publication should, for every ten submissions we send out, review at least one book for publication somewhere—Bookslut, Rain Taxi, the Rumpus, wherever. There should be some cut-off point—let’s say after you’ve got at least
Editor in Chief, Ladette Randolph, reads at Newtonville Books
We would like to congratulate our editor-in-chief, Ladette Randolph, on the release of her novel, A Sandhills Ballad, in paperback. To celebrate, Ladette will read from the novel on April 13th at 7 pm at Newtonville Books in Newton, MA. She will read along with Monica McInerny, author of At
The Fine Art of Saying No
Whether I’m a spectator at a reading or taking part in one, two questions that I often hear during the Q & A session are “When do you get your writing done?” and “Do you have a set schedule?” Despite having heard these questions many times before, I’m still
Poetry Dialogue: Jake Adam York
Originally from Alabama, Jake Adam York is Associate Professor of English and Director of Creative Writing at the University of Colorado Denver. He is the author of three books of poems—Murder Ballads (Elixir Press, 2005), A Murmuration of Starlings (Southern Illinois University Press, 2008), which was a winner of
Interview with Valerie Brennan, cover artist for the Colm Toibin Issue
Valerie Brennan is the artist whose painting appears on the cover of our Spring 2011 issue, guest edited by Colm Toibin. I (the web/marketing editor here at Ploughshares) asked her a few questions about this particular painting, current inspirations, and her work in general. Ploughshares: First off, is there
Interview with Cate Marvin Part II
If you have, at any point this year, had a conversation about the number of women in publishing–the number of female-authored books reviewed in newspapers, say–you’ve had that conversation (likely) because of some numbers which were researched and published by VIDA, an organization devoted to women in literary arts.
Wherefore and Why the MFA?
I realize there is no shortage of essays justifying or vilifying the creative writing MFA degree, which some consider the educational equivalent of fool’s gold and the universities that offer this degree little better than diploma mills. At the college in Chicago where I teach creative writing and literature courses,