From the beginning to the end of the novel, Luiz Ruffato gives us a moment-by-moment account of his protagonist’s activities, thoughts, and feelings—a stream-of-consciousness narrative in which, as the novel progresses, the character’s memories of the past become more and more prominent.
In Maya Angelou’s 1981 memoir, she travels to New York, London, Cairo, and Accra. Everywhere she goes, she meets people who look like her but do not necessarily think like her. Black skin, she realizes, does not immediately equate to kinship, and in fact can mask conflicting understandings of
Recognizing the ephemerality of their wisdoms, Deshpande allows his poems to exist as monuments to themselves, that we might return to them in the future and experience their lessons anew.
Around the world, woman novelists are refocusing narratives about desire, sex, and the body around their own experiences. Some of their stories explore society’s current hang-ups around women’s bodies, some paint a picture of a potential world full of guilt-free pleasure, and some explode the idea of gender determined
Natsuko Imamura's 2019 novel reads at first glance as a fairly straightforward psychological thriller, with voyeurism is at its center. Imamura, however, also explores a deeper psychological entanglement, stemming from a desire to connect when social interaction feels like an insurmountable barrier.
Monica A. Hand’s 2012 poetry collection is a polyphonic celebration of the multidimensionality of the self. The musician Nina Simone’s echoing impact and the poet’s own life as an artist and Black woman operate as countermelodies, playing across many emotional registers.
Beneath the waking nightmares, reanimated children, and mythological Wendigo, Stephen King’s 1983 novel is about a fundamental and universal experience: grief and the fear of death.
Matthew Specktor’s memoir is an intimate investigation of one man’s imperfect life.
In her recently published book, Paisley Rekdal argues that, in accepting our dual condition, the adventurous artist, regardless of race or other identity, must be willing to brave criticism; she insists that all creative writers, both fledgling and veteran, search within to find their own ethics of literary invention.
A. R. Ammons's 1993 book-length poem, a meditation on excess and waste as the defining trait of our species, anticipated the worst conversations one wishes were avoidable: climate change and a non-hyperbolic global destruction.