Like any literary form or rule, the poetry reading raises questions regarding subjectivity and context: whose conventions are these, what do they enable, and how do they suit the projects at hand?
Nikki Wallschlaeger is the author of the collection Houses and the graphic chapbook I Hate Telling You How I Really Feel, two arrangements that undercut artifice and underline activation energies. This month, I dove into one of her new poems from the most recent incarnation of The Journal Petra.
Saretta Morgan participates in “text-based writing,” and currently attends the interdisciplinary graduate writing program at Pratt Institute. Additionally, she’s a member of the Belladonna* Collective, a feminist avant-garde group founded in New York City. These affiliations begin to orient lenses and traditions through which to read her work; but