Claudia Rankine Archive
The Shape of Nations
One cannot simply outgrow or outlive a colonial, racist history. In order for the system to change, we need to stare at it and acknowledge it for what it is.
The Repetition and Accretion of Violence
Three recent books by poets Valzhyna Mort, Eduardo C. Corral, and Claudia Rankine examine state violence by using violence’s signatures—repetition and accretion—as tools within the text. In these works, post-Chernobyl Belarus, barren American border landscapes, and the minefields of everyday social interactions are scrutinized, again and again.
Incomprehensible and Ungraspable
“When I was a teacher, death always lingered in the back of my mind.”
Begin Again: On Endings in Nonfiction
Talking, or writing, about endings is hard—whether it’s the end of a marriage, the end of a life, or the end of a book (lest one spoil the conclusion). Life rarely offers sudden and definitive endings or epiphanic conclusions. Rather, events leading up to the end seem to be
How We Read Autofiction
Autobiography is straightforward in a way that autofiction is not: in this case, the prefix “auto,” or self, pairs easily with the suffix “biography,” or life story. An autobiography tells the self’s life story. But what does it mean to tell a fiction of the self?
The Other America
As Claudia Rankine’s new play The White Card premieres at Boston’s Paramount Theatre, Ploughshares is proud to publish Catina Bacote’s “The Other America,” which investigates police brutality and the failure of community policing in New Haven, Connecticut, discussing Rankine’s Citizen in relation to the author’s experiences.
The Resistance Will Also Be Literary
November has been a heavy month. The results of the U.S. elections came in; Leonard Cohen passed away; and on Sunday 13th, France commemorated the 1-year anniversary of the Paris attacks.
Bombing the Subway
The subway has always been the great equalizer of New York City: it’s how the 99% of us get around. The best people-watching happens here, and the city’s art and culture scene extends deep underground.
How to Write Violence
How to talk about violence in literature, when the term violence is so broad? “Violence” is defined as “behavior involving physical force intended to hurt, damage, or kill someone or something,” but it’s also used to depict the “strength of emotion or an unpleasant or destructive natural force.” How to
Morphology of the Essay: Ander Monson, Claudia Rankine, Eula Biss, Leslie Jamison, & Maggie Nelson
According to Wikipedia, a keystone is “used figuratively to refer to a central element of a larger structure […] that locks the other elements in place and allows the whole to be self-supporting.” With a stone archway, the form is inherent, or predetermined. First, there is the abutment, then
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