creative nonfiction Archive
Review: A BESTIARY by Lily Hoang
Not all rat mazes have corridors. For the Morris water navigation task, it is as it reads: a rat must learn to fare in water. It is placed inside a pool and must swim to the other side.
Reconstruction: How the Lyric Essay Rendered One Body After Trauma
1. I didn’t start writing lyric essays until I found out I had cancer. The melanoma buried in my right cheek was at first missed, and then misdiagnosed in its severity. Clark’s stage IV, they told me. Likely in my lymph nodes, but they wouldn’t know until my third
Review: SUBLIME PHYSICK by Patrick Madden
When reading Sublime Physick, the yin-yang symbol comes to mind, as Madden cites academic thinkers and essayists from generations past, alongside contemporary popular icons, usually of the musical variety, specifically his personal favorites like John Lennon and Geddy Lee.
The Autobiography of the Imagination: Toward a Definition
The autobiography of the imagination writes itself, one could say. It writes every time we write, every time we dream or daydream. It is its own captain’s log, the transaction and receipt. It reveals the self to make the self into a stranger, twisting the I to wring out
Reading Across the Great Genre Spectrum: A Cheat Sheet for Transliterary Consumption
When I teach creative writing at the college level, one of the tasks I always assign early on in the semester is to have my students pick out a short work outside (preferably diametrically opposed to) the student’s preferred genre, read it, and offer a brief informal presentation of
Impossible to Pin Down: Truth & Memory in Nonfiction
Nonfiction as a genre confronts the discordance between memory—a slippery, subjective entity that can be the antithesis of truth—and actuality. Roy Peter Clark writes of the “essential fictive nature of all memory.” Mark Kramer and Wendy Call, editors of Telling True Stories: A Nonfiction Writers’ Guide from the Nieman
Daily Details Made Monumental
Exterior details lend themselves to the interior landscape of a character or narrator. What one chooses to notice, how one describes an object, says more about the speaker than it does about that thing. A character who spends a whole paragraph noticing someone’s unwashed, unkempt hair tells the reader
How Narrative Nonfiction Keeps Me Sane
Years ago, feeling creatively unfulfilled at my full-time publishing job, I took a continuing education class at The New School on pitching creative nonfiction to the glossy mags. Throughout the course of the semester, we worked our way through Robert S. Boynton’s The New New Journalism, which contained a