feminist literature Archive
“To resuscitate that stifled voice”: An Interview with Robin Richardson on Minola Review
Robin Richardson is the author of two collections of poetry, and is Editor-in-Chief at Minola Review. Her work has appeared in Salon, Poetry Magazine, Hazlitt, Tin House, Partisan, Joyland, and The North American Review, among others. She holds an MFA in Writing from Sarah Lawrence College, and has been
The Psychopathic Gaze: Murder, Violence, and Misogyny in Natsuo Kirino’s Out
Out is an exhausting but indispensable blood-and-guts novel that constructs real, complex, contradictory, and authentically credible female characters who transgress the social hierarchies of Japanese culture while also defying the sexist and stock stereotypes of women as helpless victims in both slasher and thriller genres.
Angela Carter’s “Unicorn” and the Illusion of Empowerment Through Objectification
“Q. What have unicorns and virgins got in common A. They are both fabulous beasts.” In the new collection of Angela Carter’s mostly forgotten, but viscerally affecting poetry, Carter perverts mythological symbols in order to subvert the mythology of femininity. Just as Simone De Beauvoir lamented that “one is not
Why I’m One Bad—But Well-Read—Feminist
It’s been a long time since I’ve felt like an adequate representation of “feminist.” When I married my husband a little over seven years ago, I barely waited a month before giving notice at my full-time job so I could give full-time freelancing a try. Since then, I’ve slowly become ever