Maggie O’Farrell’s 2020 novel shows the painful reality that transformation and remembrance go hand in hand. This isn’t comforting—how can it be?—but to remember, to practice remembrance daily, shapes a person.
I was at Punta della Dogana in Venice when I first saw Ryan Trecartin’s Center Jenny. The movie was projected on the wall and brooded over Lizzie Fitch’s sculptures: lawn chairs and picnic benches chained to golf course-quality grass like a scary garden party. The film itself follows a
Some of the best rewrites of classic stories come to us through the author’s imaginings of what the original doesn’t say. Through original work that transcends “fan fiction,” these stand-alone novels and plays work best when they have their own story to tell. Whether this is done through expanding narrative
Hamlet is everywhere. He still pops up in the stories we like to tell ourselves. David Wroblewski’s 2008 Oprah-driven bestseller, The Story of Edgar Sawtelle, is a well-known example of a parallel narrative, but TV and movies also celebrate the Hamlet archetype: from Sons of Anarchy to The Lion