Yu-Mei Balasingamchow is a fiction and nonfiction writer from Singapore. Her stories appear in the anthologies From the Belly of the Cat (2009) and Let’s Tell This Story Properly: Commonwealth Short Story Prize Anthology (2015), as well as in the journal Mänoa. Her nonfiction work includes Singapore: A Biography (2009), co-authored with Mark Ravinder
Zines straddle the border between Fluxist market-dodgers and the reputably tainted world of self-publishing literary dropouts. The difference between a zine and that 50 Shades of Grey-inspired alien erotica novel is function and intention. A zine works as a platform for writing and art that’s too provocative, political,
Marilynne Robinson’s Gilead became my favorite novel a decade ago. I read the first half the book in Iowa City and the second half the book in Wichita, Kansas, which undoubtedly brought the narrator’s prairie landscape to life. I lived the book in solitude, existing with Reverend John Ames
Literary Enemies: Flannery O’Connor vs. Marilynne Robinson Disclaimer: Marilynne Robinson has no enemies. I hope you’ve never compared Marilynne Robinson to Flannery O’Connor, but I can see how you might have been tempted. There’s Iowa, first of all, and if it weren’t a proper noun I would have capitalized
It’s winter here in Iowa, which makes my Floridian self wish for seasonal time travel. Unfortunately, the closest I’ve come to realizing this dream is watching Back to the Future and reading H.G. Wells’s The Time Machine.