Jane Hirshfield Archive
In this moment, it’s difficult to view any domestic arrangement without its undercurrent of uncertainty or instability. Two poems written in a fairy-tale register—Jane Hirshfield’s “Amor Fati” and Kiki Petrosino’s “Nursery”—capture this sense of pervasive menace, and complicate the idea of home as the ultimate refuge from a threatening
Eileen Myles’ “Peanut Butter,” Jane Hirshfield’s “My Species,” and Robert Frost’s “Birches” each use plainspoken vocabulary and domestic imagery to branch outwards towards life’s most urgent questions; each poem locates itself in small, particular moments of bliss and wonder.
News images of natural disaster can be paradoxically surreal, especially if the disaster’s happening in a place you know and love, but have left. How might poets capture complicated interactions between fire and familiarity, fire and violence, distance, and detachment from disaster?
If Mr. Trump were to win the November election, all sorts of interesting questions arise: Would he ask someone to write and read an inaugural poem? Would the writer have to get the poem cleared by Trump? Most interesting of all, though: would the poet accept the invitation?