Kelly Link Archive
What scares you? is a personal question, I’ve always thought. Fear is a universal emotion, a rhetorical choice in arguments that we can all connect to, and we all find connections to the fears that most everyone shares: isolation, the unknown, death. However, it is also extremely individual.
As a reader, I’m a sentence-collector: for their sound, and also for the fascination of inspecting one small, discrete piece of something and seeing what it has to say about the whole.
In the term short story, “short” is a little baggy. You might find, within a collection of short stories, some that are a few pages, some that are thirty or more. Compared to a five-hundred-page novel, of course, neither of these is a long piece of writing. Both are
There’s a section of Alexander Pope’s The Rape of the Lock that’s famous enough to have its own almost-official title. The Toilet Scene. People mention this scene often when they talk about the poem’s mock-epic qualities, its training of a heroic gaze, modeled on the loftiness of The Aeneid
Get in Trouble Kelly Link Random House, Feb 2015 352 pages Buy: book | eBook For a long time, with all due respect to the memoirists, I’ve believed that fiction holds a particular truth in literature. Maybe by removing the self from the work, and unburdening the story of actual
In the basement of three small theaters in Massachusetts lives a collection of some of humankind’s worst artistic efforts: the Museum of Bad Art. Everything in the collection is gloriously, earnestly bad (the curators reject anything that seems bad by intention). You can go there. You should. The photograph
Congratulations! You’ve published a book, and people are lining up to buy it. Now begins the trickiest part of an author’s journey: signing your own book. You’ve read an excerpt, charmed the crowd. You’ve perfected the swooshy drama of your signature. Uncap your Official Signing Pen. Take a seat.