Lauren Groff Archive
The protagonist of Lauren Groff’s new novel, Marie, watches her mother, grandmother, aunts, and queen exercise power before finally learning to wield it herself. Despite the book’s setting in medieval times, Marie’s plight feels similar to how women must take and assert power even now.
Two of Lauren Groff’s recent stories share an interest: exploring the relationship between domestic violence and masculinity. Each story acts as a mirror for the other, the differences often pointing up the similarities and allowing the two pieces to connect in subtle and nuanced ways.
Following the conclusion of her Climate Visionaries project undertaken with Greenpeace, Jason Katz speaks with Lauren Groff about writing climate fiction, her climate-related work, and talking to our youngest about climate change.
After having children, the always-baffling allure of a commune began to make a bit more sense. I had a daughter and was pregnant with my son when the media began reporting on refugees dying while attempting to cross the Mediterranean, and when my outlook on American policy became nihilistic.
By providing characterizations that transcend the limits of traditional intimacy Groff creates a spectrum of dysfunction. Without boundaries, love becomes poisonous. Its removal is painful.
Adam Johnson, the author of Pulitzer Prize-winning The Orphan Master’s Son, has a new story collection, Fortunes Smiles, out today. The collection, which includes six stories, was recently reviewed, with high praise, by Lauren Groff for The New York Times. Each of the stories in the collection have appeared in esteemed journals such