I’m a believer that some story shapes lend themselves more readily to pieces of different lengths. The shape of Mary Helen Specht’s story, “Night Island” (Prairie Schooner, Winter 2014), is risky and surprising, and might not work as well in a longer story or novel. But it’s what allows
The opening sections of Alix Ohlin’s wonderful short story “Taxonomy,” (TriQuarterly 146) shows how a simple plot can open into a compelling mystery through just a few quick descriptions. In the first scene, the narrator Ed stops at a roadside Amish gift shop to try to find an appropriate