Maggie Nelson Archive
Female Eroticism in The Wallcreeper and The Argonauts
What’s missing in the literary world, especially when it comes to women, is a dialogue around anal sex.
This is Normal: Reading Evil in the Everyday
On Twitter, people keep saying this “isn’t normal.” In this story, the villain is an exception to the rule of normalcy. Maybe, I thought, that story is easier to tell than the real one.
The Long Gaze: When Poets Write Memoir
With many contemporary poets publishing (sometimes multiple) memoirs, there’s clearly a desire for these writers to share their worlds in a form other than poetry. Is it as simple as the appealing arc of a compelling narrative? What other issues might come to bear, particularly in our current social
The Argonauts Is A Direct Descendant Of Anzaldua’s Borderlands/La Frontera And No One Is Talking About It
On my desk, Maggie Nelson’s The Argonauts and Gloria Anzaldua’s Borderlands/La Frontera sit one atop the other. I didn’t plan it that way. It just sort of happened like that—I read one and then I read the other. It wasn’t until this week, when I was leafing through them
On the Art of Perspective: Christopher Castellani & Maggie Nelson
“I want to tell you what happened on the way to dinner.” Christopher Castellani‘s The Art of Perspective: Who Tells the Story begins with that simple phrase, the driving force of storytelling: the author has something they want to convey. Which quickly leads us to the issue of how
How to Write Violence
How to talk about violence in literature, when the term violence is so broad? “Violence” is defined as “behavior involving physical force intended to hurt, damage, or kill someone or something,” but it’s also used to depict the “strength of emotion or an unpleasant or destructive natural force.” How to
Morphology of the Essay: Ander Monson, Claudia Rankine, Eula Biss, Leslie Jamison, & Maggie Nelson
According to Wikipedia, a keystone is “used figuratively to refer to a central element of a larger structure […] that locks the other elements in place and allows the whole to be self-supporting.” With a stone archway, the form is inherent, or predetermined. First, there is the abutment, then
“Slipperiness of Signification”: An Interview with Lee Ann Roripaugh
In her most recent book, Dandarians (Milkweed, 2014), Lee Ann Roripaugh writes in the borderland between poetry and prose, blurring boundaries and finding the unfamiliar music in everyday language. She is also the author of three previous books of poetry, including Year of the Snake, which won the Association
How Should A Writer Be?
Yesterday on the bus I sat behind a woman whose toddler was having a Richter-ten tantrum concerning his left shoe. He flung himself out of his seat, flailed his arms, pulled his mother’s hair, and wept into his shirt because he didn’t want to wear his shoe. This lasted
Writing the Body: Ta-Nehisi Coates, Maggie Nelson, & Lidia Yuknavitch
The age of media and internet is one of fractal, ephemeral bodies—well-curated images of the self from certain angles and frozen in time, dust-coated corpses at the aftermath of a quake that provide little context, statistics and numbers that break down how many and what ages and when, yet