Hector Tobar wouldn’t be the first to speculate about a contemporary Latina/o literary renaissance. That hype has been around for a long, long while. It surrounded the work of Gen X Latina/o writers beginning to publish in the mid to late 90’s and early 2000’s of which Junot Diaz
There are a lot of age-based lists of writers out there. A lot. Of. Lists. Here’s another one. Jake Strand, 34, after twelve years in the corporate world, recently found the courage to apply to MFA programs. He didn’t think he’d get in, but he did. His writing is
The Literary Boroughs series will explore little-known and well-known literary communities across the country and world and show that while literary culture can exist online without regard to geographic location, it also continues to thrive locally. Posts are by no means exhaustive. The series originally ran on our blog from May 2012 until April 2013.
Last week, Guernica published an interview with art critic Ben Davis, which begins with Davis questioning the premise that “the central tension of the art empire is that between creativity and money.” Davis says there can obviously be tension between what sells and what an artist wants to express, but he argues that money also funds
I didn’t study creative writing as an undergraduate; it wasn’t an option. When I enrolled in the MFA program at University of Washington, what I craved more than workshop (which I’d experienced a few times in continuing education settings) was the elusive “craft” class: reading analytically not to
I’m in that small and shrinking group of writers who don’t have MFAs. Which I think makes me uniquely qualified to start my own MFA program. Haven’t most education reformers come from outside the system? My program will, for starters, involve napping and swimming pools. And the course offerings